Netflix, however, is raising its prices only in certain territories, regardless of local legislation. Those behind the referendum also say the law would lead to higher prices for the various services’ subscription offers. The youth wings of Switzerland’s major centre-right and right-wing political parties (the Radical-Liberal Party, the Swiss People’s Party, the Liberal Green Party and the Centre Party) had already announced a referendum before the government decided to impose a 4% levy. Yet there was enough opposition at the political level to force a nationwide vote on the amendment. “I don’t understand how anyone could be against it,” said filmmaker Fred Baillif during a discussion at the most recent Think Cinema festival in Lausanne in March. Industry professionals are largely in favour of the proposal. This is expected to generate between CHF18 million ($19.3 million) and CHF30 million extra a year for the Swiss film industry, according to estimates from the Federal Office of Culture External link (BAK) and the Swiss parliament External link. With the proposed change, the government wants to regulate the presence of major international streaming platforms in Switzerland, requiring them to invest 4% of their domestic revenue in Swiss audiovisual productions. On May 15 the Swiss vote on an amendment to the federal cinematic culture and production law dubbed “Lex Netflix”.
To show the difference between each period, for example, the 2-story western style house is switched into a chicken farm in the city outskirts.” (Kim Ki-young) This is the reason why the latter works are more critical of civilization. Korea went through great, rapid social changes in the 1960s, 70s and 80s. This is because what I focus on is not on the story itself but the characters and social setting. The movies were made at the request of rural businesses, but I think the 3 films differ from each other pretty much. Kim made Woman of Fire '82 to represent the 1980s. “Woman of Fire is a remake of The Housemaid, modifying the story to fit the social situation of the 1970s. Afterwards Kim Ki-young continues to depict the changing Korean society and crisis of the bourgeois family every 10 years in his following works such as Woman of Fire and Woman of Fire '82.
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The wife in full control of the family's finance, the helpless husband, and the housemaid from the country all reflect the social situation of the time. The Housemaid also deals with the Geumchon murder case that appeared in the newspaper.
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